Price himself states that he left the day the band embarked on a tour to Sweden. The reason for his departure from the group has been debated though some sources claim it was a fear of flying stemming from their American tours, others claim it was a feud between lead singer Eric Burdon and Price regarding royalties over their 1964 single " The House of the Rising Sun", which solely credited Price as an arranger thus leaving the other members without any payments for the song. In May 1965, keyboardist Alan Price left pop group the Animals, shortly after the release of their single " Bring It On Home to Me". Īlan Price version "I Put a Spell on You" It was nominated for the Grammy Award for Best Rock Performance by a Duo or Group with Vocal at the 53rd Grammy Awards. Jeff Beck, with vocals by Joss Stone, covered the song on the album Emotion & Commotion in 2010.Marilyn Manson recorded a cover of the song for his 1995 EP Smells Like Children.The 1993 Disney movie Hocus Pocus features a performance of the song by Bette Midler.The Crazy World of Arthur Brown covered the song on their 1968 self-titled album, reaching No.In the UK, the version by Sonique reached No.In the UK, Bryan Ferry's version, covered on the album Taxi, reached No.49 on the UK singles chart that year, and No. Billboard R&B chart in 1965 it also reached No. Nina Simone's version, from her album of the same name, reached No.Although Hawkins' own version never charted, several later cover versions have. Most of the covers treat the song seriously few attempt to duplicate Hawkins' bravura performance. "I Put a Spell on You" has been covered by other artists extensively there are several hundred versions. The original version features in the film Stranger than Paradise. This theatrical act was one of the first shock rock performances. The act was a sensation, later bolstered by tusks worn in Hawkins' nose, on-stage snakes and fireworks, a cigarette-smoking skull named "Henry" and, ultimately, Hawkins transforming himself into "the black Vincent Price". Freed suggested a gimmick to capitalize on the "demented" sound of "I Put a Spell on You": Hawkins wore a long cape, and appeared onstage by rising out of a coffin in the midst of smoke and fog. Up to this time, Hawkins had been a blues performer emotional, but not wild. The hit brought Hawkins together with Cleveland disc jockey Alan Freed who promptly added him to his "Rock and Roll Revue". Despite the restriction, the record still sold over a million copies. A truncated version was later released omitting the grunts and moans from the ending of the song, but the ban generally remained. However, this version was banned from most radio programming for its outrageous "cannibalistic" style. The following year, Hawkins re-recorded the song for Columbia's Okeh Records-the notorious screaming version, which was released in October 1956. However, that version was not released at the time (it has since been reissued on Hawkins' UK Rev-Ola CD The Whamee 1953–55). Hawkins first recorded "I Put a Spell on You" as a ballad during his stint with Grand Records in late 1955. I found out I could do more destroying a song and screaming it to death." Before, I was just a normal blues singer. However, the producer Arnold Maxin "brought in ribs and chicken and got everybody drunk, and we came out with this weird version . Hawkins had originally intended to record "I Put a Spell on You" as "a refined love song, a blues ballad". The selection became a classic cult song covered by a variety of artists and was his greatest commercial success, reportedly surpassing a million copies in sales, even though it failed to make the Billboard pop or R&B charts. 313 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings-published in Christgau's Record Guide: Rock Albums of the Seventies (1981) -and ranked No. " I Put a Spell on You" is a 1956 song written and composed by Jalacy "Screamin' Jay" Hawkins, whose own recording of it was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
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